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September 20, John Nack on Adobe. Adobe Adobe illustrator cs6 version Verwion System Work with precision, adobe pdf illustrator cs6 free, and rock-solid stability on illusrrator, complex adobe illustrator cs6 version thanks to a new performance system that powers Illustrator CS6. The next Windows version, version 4. Quickly find what you need in a adobe pdf illustrator cs6 free efficient Control panel, now with consistency across options, anchor здесь controls, clipping masks, envelope distortions, and more.

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The changes remained until CS6 when some small steps were taken to restore the app to a slightly more Mac-like interface.

With the introduction of Illustrator 7 in , Adobe made critical changes in the user interface with regard to path editing and also to converge on the same user interface as Adobe Photoshop , and many users opted not to upgrade. Like Photoshop, Illustrator also began supporting plug-ins, greatly and quickly extending its abilities.

With true user interface parity between Macintosh and Windows versions starting with 7. Adobe bought Aldus in for Page Maker. As a result, Macromedia acquired Free Hand in from its original developer, Altsys , and continued its development through Illustrator Version 9 included a tracing feature, similar to that within Adobe’s discontinued product Streamline. Illustrator CS aka version 11 , released by Adobe for Mac and Windows in October , was the first version to include 3-dimensional capabilities allowing users to extrude or revolve shapes to create simple 3D objects.

It was the last version for the Mac which did not run natively on Intel processors. Live Trace allows for the conversion of bitmap imagery into vector art and improved upon the previous tracing abilities. Live Paint allows users more flexibility in applying color to objects, specifically those that overlap.

Instead, Adobe would provide tools and support to ease the transition to Illustrator. Illustrator CS3 included interface updates to the Control Bar, the ability to align individual points, multiple Crop Areas, the Color Guide panel and the Live Color feature among others.

CS3 was released on March 27, CS4 was released in October It features a variety of improvements to old tools along with the introduction of a few brand-new tools acquired from FreeHand. The ability to create multiple artboards is one of CS4’s main additions from Freehand. The artboards allow you to create multiple versions of a piece of work within a single document. Other tools include the Blob Brush, which allows multiple overlapping vector brush strokes to easily merge or join, and a revamped gradient tool allowing for more in-depth color manipulation as well as transparency in gradients.

CS5 was released in April Along with a number of enhancements to existing functionality, Illustrator CS5’s new features include a Perspective Grid tool taken from FreeHand, a Bristle Brush for more natural and painterly looking strokes and a comprehensive update to strokes, referred to by Adobe as “Beautiful Strokes”. The app had many of the features of Adobe Illustrator, yet it was a free download. This allowed professionals to sketch and ideate “on the go” and allowed anyone to access world-class vector drawing capabilities.

As a result, Facebook and social media posts appeared from all over the world with vector drawings from Adobe Ideas from pros and novices alike. Version CS6 was the 16th generation of Adobe Illustrator. Adobe added many more features and several bug fixes such as a new user interface, layer panels, RGB codes, and color ramp to increase performance.

CS6 was released on April 23, This version the 17th was the first to be only sold in a subscription-based service model, in line with the other software in the formerly called Creative Suite. As part of Creative Cloud, this version brought improvements in that subject such as color, font and program settings syncing, saving documents to the cloud, and integration with Behance a creative collaborative network , as well as other features such as a new touch-compatible type tool, images in brushes, CSS extraction, and files packaging.

Starting with version 1. John Warnock desired a Renaissance image to evoke his vision of PostScript as a new Renaissance in publishing, and Adobe employee Luanne Seymour Cohen, who was responsible for the early marketing material, found Venus’ flowing tresses a perfect vehicle for demonstrating Illustrator’s strength in tracing smooth curves over bitmap source images.

Over the years the rendition of this image on Illustrator’s splash screen and packaging became more stylized to reflect features added in each version. The image of Venus was replaced albeit still accessible via easter egg in Illustrator CS The CS4 icon is almost identical, except for a slight alteration to the font and the color which is dark gray.

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The next Windows version, version 4. Delete Layer To select an object, choose the Selection tool from the toolbox and click on the object you wish to select. When the object is selected, you can move, transform, and change its properties.

Some selections may be easier to make by creating a marquee around the object. To make a marquee selection, do the following: 1. Choose the Selection tool from the toolbar. Click and drag the Selection tool over multiple objects to select them all. Duplicating objects To duplicate objects, do the following: 1. Select the object you wish to duplicate. Once you release, a duplicate will show up where the object has been moved. Figure 6. Duplication Objects. To create a shape, do the following: 1.

Select the Shape tool that corresponds to the shape you wish to create. Click and drag on the art board to create desired size and proportion of the shape. Select the Shape tool you wish to use and click on the art board. This will open a window with the properties of your new shape. Here you can type in specific height, width, number of points on a star, etc.

Figure 9. Also, don t be upset if you make your shapes too big or too small, you can always resize them. Figure 8. Reshaping without shift. Reshaping with shift. Like other objects, type can be painted, scaled, rotated, etc. You can also wrap type around objects, make it follow a path, create type masks, import text files into containers, and modify the shape of individual letters in a block of type.

To add type to a document, do the following: 1. Select the Type tool from the toolbox. Click and drag anywhere on the art board to create a marquee for your text. Use the Character palette to choose the font, font color, font size, etc. Wrapping text around a graphic To make your work, for example a brochure, look professional, you may want to use Text Wrap Figure Objects, which you will wrap text around, must be in front of the type.

To make a Text Wrap, do the following: 1. Select the object you wish to wrap text around. Set the Text Wrap Options Figure NOTE: You can change how close the text wraps around an image after you have made it by changing the offset Figure The lower the offset the closer the wrap. After your Text Wrap is set you can move the object freely without resetting your wrap options. Figure Texting Wrapping. Options Figure You can type along any path you make with the Pencil, Pen, and even the Shape tools.

To type along a path, do the following: 1. Start by drawing a path on the art board Figure Select the Path Type tool from the toolbox and click anywhere on the path to start your text at that spot on the path. Adjust the position of the type along the path by positioning the Selection tool over the start, middle, or end of the type bracket until a small arrow icon appears. Click and drag to the desired position. When finished, you can move the type with the Selection tool.

NOTE: After typing on a path the path will have no stroke or fill. This is typing on a path! Typing along a path.

Create Path to type on. To place an image into your document, do the following: 1. Make sure the layer you wish to place your image in is selected. NOTE: Placed images are added to the selected layer. If you want it to be on its own layer, create a new layer by clicking the New Layer button near the bottom of the Layers palette shown in Figure 1 of the Working With Layers section of the tutorial and select it then place your image.

Navigate through the pull down menus to find the file that you want to insert. Select the file and click OK. Once you have placed the object, switch to the Selection tool to move the object to the precise location you want. If you single-click on your image, you can resize it with the grippers – little black squares around the image. Click and drag a gripper inward or outward to expand or shrink your image as desired. If you would like to maintain the original proportions of the image when you resize it, hold down the SHIFT key as you perform the resizing action.

Before you start working with objects it is crucial to understand what each of the objects is: Text – a block of text within a defined textbox Image – a picture file with one of the following extensions:.

Navigate to the desired file and click Place. The following sections offer an in depth explanation of how to adjust images, graphics, and text within your document. When creating a poster or a brochure you will most likely align objects in an organized manner; guides make this task easy. To use guides, you must first make the rulers visible on your document. To create a guide, do the following: 1. With the Selection tool click and drag the ruler on the edge of the page onto the art board.

A blue marquee line will appear where your guide will go. Move the marquee to the position you want and let go of the mouse button. NOTE: After you have created your guides you can t move them because they are locked. Remember to lock guides again after you have unlocked them, or you might accidentally select and move them. Creating clipping masks Clipping masks are shapes that act as windows showing only the artwork located within the boundaries of those shapes.

The clipping masked object must be on top of the stack of objects you wish to mask. To create a clipping mask, do the following: 1. Choose the object you wish to mask with using the Selection tool. Select all objects you wish to include in the mask. Object Arrange. Object Clipping Mask. GROUPING Grouping Objects When there are multiple objects on the art board that you need to move as a whole you can group them instead of selecting each of the objects every time you wish to move them.

To group multiple objects, do the following: 1. Select all of the objects that you want to group together. This can be done in two ways: 1 Hold down the SHIFT key and click on each object individually, 2 Starting in an empty space on the page, click and drag the mouse outward creating a marquee box around all of the objects you want to select.

Grouping Objects. If you click over the newly grouped objects with the selection tool you will notice that they are bound together as one large object. For example, if you have a large image or graphic as a background for the page, you may select it and move it accidentally if you are not careful. To help you avoid such situations, Illustrator CS6 has a function called Locking. When an object is locked it cannot be moved, adjusted, or altered in any way.

Notice how Illustrator restricts the object from being altered in any way. To do this, you would use the Transparency palette. In this palette you can adjust the Opacity of an object. Under the Transparency tab Figure 17 , you will see a dropdown menu that holds all the blending options for applying transparencies. To apply a transparency, do the following: 1. Select the object you want to apply the transparency to with the Selection tool.

Choose which blending mode you want to use in the transparency. Type in or drag the slider to the amount of opacity you wish to apply. Using styles, you can quickly and globally change the appearance of an object. To add a style, do the following: 1. Select the object with the Selection tool. Click on the Graphic Styles tab Figure Select the style you wish to apply.

Graphic Styles. This can be done by adding multiple effects to an object. To add an effect, do the following: 1. Click on Effect in the menu bar at the top of the screen. Select the effect you want, set the parameters and click OK. Appearances You can specify which part of an object you add styles and effects to by using effects in the Appearance palette Figure The Appearance palette contains the following types of editable attributes: Fill – lists all fill attributes fill type, color, transparency, and effects Stroke – lists some stroke attributes stroke type, brush, color transparency, and effects Transparency – lists opacity and blending mode NOTE: All other stroke attributes are displayed in the Stroke palette.

You can duplicate strokes and fills in the Appearance palette which allows you to have multiple strokes and fills with different effects and styles on a single object. An appearance attribute can be changed or removed at any time without changing the original object or any other attributes applied to the objects.

Just like layers, you can move your appearances to any order you wish. Appearance with green, red and blue. Appearance with pink, yellow, and blue. Symbols used in combination with the Symbolism tools offer options that make creating repetitive shapes easy. Creating symbols You can draw and create your own symbols using the Symbols palette. To create a symbol, do the following: 1.

Select an object with the Selection tool. Click on the New Symbol button on the Symbols palette. Delete the original on the art board once your new symbol appears in the Symbols palette. You can reduce the resolution of all raster effects, which have been applied in the current document. In addition to minimizing the file size, it will also accelerate the process of displaying graphics on the screen while zooming. After finishing with the file you can set the desired value for the resolution.

The number of anchor points also affects the size of your file. This feature is good to use for rough processing of the paths, such as reducing the number of points of vector textures when there is no need to maintain the shape of objects but can significantly change the shape of the image including items of detail that may be required. However, a better option is to use the VectorFirstAid plugin as we can clean-up excess points whilst maintaining precision by using the Super Smart Remove also available in VectorScribe points on paths button located on the panel.

This will reduce the number of points in your entire document or selection to a set tolerance that can be changed in the panels preferences. Here you can see how VectorFirstAid produces a higher quality end result compared to the native Simplify feature.

But when it comes to accuracy, such as removing excess points of vector outlines, it may be better to use the Smart Remove Brush Tool VectorScribe. This tool allows you to literally sweep excess points away like a broom! You can even use the pressure sensitivity of your tablet to control the tolerance. It also allows VectorScribe to highlight and automatically remove redundant points from selected paths. Both of these options are available in PathScribe Preferences dialog box.

This artwork which we experimented with contained redundant points. Using uniform path and variable width path in Width Brush Tool or Width Gradient Tool WidthScribe plugin can lead to the formation of a large number of width markers. Their excessive amount increases the file size and slows down the application during editing and zooming of the screen. The shape of paths will not change significantly.